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the rustle of costumes and hum of gossip punctuated by stage calls and distant applause
How he can draw a little fiend in black and white and make it FEEL like it is a colossus is something I just can’t fathom
Greenham was an unusual painter in that his style remained completely consistent for his entire career
and often visiting his studio
Painted in the mid-1950s
Mousehole, Contra Jour reserved the rustle of costumes and
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